Portfolio

At Kaiju Cinema Diffusion, we take pride in the diverse range of projects we have worked on within the film industry.

Our portfolio showcases our expertise in creating captivating designs and marketing materials that capture the essence of each unique film.

Each sample in our portfolio represents a distinctive creative approach, tailored to the unique needs and vision of our clients.

This collage provides a glimpse into the breadth of our design services. From eye-catching posters that grab attention to engaging trailers that entice audiences, we have honed our craft by delivering exceptional design solutions for independent filmmakers.

Kaiju Cinema joyfully partnered with Genre and Cult Streaming Platform Spamflix, a VoD platform that gave viewers access to rare and under-seen cult genre films which find it harder to find mainstream distribution.  The promotional video was screened in theathers at film festivals like Sitges, Fantasia in Montreal, Austin’s Fantastic Fest and Brooklyn Horror Fest. Together, we have tapped into the vibrant and passionate culture of genre films. We cultivated a community dedicated to fans of cult, sci-fi, and fantastic cinema, bringing their beloved cult classics to the forefront of the independent film scene.
We had the privilege of collaborating with writer and director Laura Lombardía on her debut independent film ‘Dóberman’, which is based on the acclaimed theatrical play. Our creative partnership brought forth a seamless fusion of artistic vision and storytelling, resulting in a captivating poster, an evocative trailer, and mesmerizing open titles and visual impacting closing credits of the film. Drawing upon the essence of the theatrical origins, we crafted visuals that beautifully translate the raw emotion and intensity of the film.
We are proud to sponsor and collaborate with prestigious film festivals around the world. Our partnerships with these festivals not only provide opportunities for filmmakers to showcase their work but also demonstrate our commitment to supporting and celebrating the independent film community.
At Territorio LABEX participants such as authors, producers, screenwriters, technicians, and directors actively engage with their projects alongside a team of specialists in directing, executive production, screenwriting, editing, sound, and pitching. ‘En El Pozo’ (‘In the Quarry’), an interpellative thriller about gender violence from Uruguay, by Bernardo and Rafael Antonaccio, won Kaiju Cinema Keyart Prize for projects in the post-production competition category. We’re proud of partnering with film labs like LABEX to showcase the independent audiovisual sector and cooperate in the construction of audiovisual cultural heritage.
Territorio LABEX provides independent filmmakers with a unique space for audiovisual transformation, established as one of the leading meetings in Latin America. It contributes to the strengthening and completion of films through workshops, master classes, and pitching sessions. ‘Bazán Frías: elogio del crimen’ (‘Bazán Frías: praise of the crime’) a documentary film about the life of the bandit and popular saint, by Lucas García, won Kaiju Cinema Keyart Prize for projects in the post-production competition category. We’re proud of partnering with film labs like LABEX to showcase the independent audiovisual sector and cooperate in the construction of audiovisual cultural heritage.
We actively collaborate with renowned film organizations to provide educational resources and training programs for aspiring filmmakers. By sharing our expertise and collaborating with talented individuals globally, we aim to uplift the entire film community and contribute to the growth of independent cinema.
We are thrilled to have collaborated with Oh My Gomez Films on the design of the poster, trailer, and titles for the film directed by Daniel Gimelberg. Through meticulous attention to detail and an unwavering commitment to excellence, we crafted a poster that entices, a trailer that mesmerizes, and the open titles of the Argentina co-production film that immerse audiences into the compelling world of ‘Los Adoptantes’. This marketing campaign stands as a testament to our ability to bring stories to life through the power of design.
Kaiju Cinema was not just created, but rather born from the very essence of our collaboration with film directors Cecilia Atán and Valeria Pivato on their Argentina-Chile opera prima ‘La Novia del Desierto’. Fueled by the shared passion for storytelling and visual expression, creativity blossomed and we produced a comprehensive marketing campaign that captured the spirit of this independent drama and translated it into captivating and unforgettable designs: from the poster of the film (keyart) to trailers, teasers, social media assets, outdoors and more.
Kaiju Cinema’s enduring partnership agreement with MDC’s Miami Film Festival has been a remarkable journey, built upon years of collaboration and dedication. Together, we have woven the threads of creativity and innovation to shape and enhance the identity of the film festival, establishing a captivating and iconic presence in Miami’s vibrant cultural scene. We have crafted the GEMS mid-season festival brand that resonates with audiences since 2013 and designed the Festival IDs played at the theaters before every film screening.
The artwork we crafted for argentina independent film ‘Mala Vida’, by Fernando Díaz and Mad Crampi, is a testament to the harmonious fusion of creativity and cinematic allure. Each brushstroke and visual element intricately weaves together to capture the essence of the film’s narrative, enticing audiences with a captivating glimpse into its world. We designed a marketing campaign including outdoor ads that served as a gateway, inviting viewers to embark on an unforgettable cinematic journey within the realms of the Mar del Plata International Film Festival.
Partnering Locarno’s Work in Progress First Look section has been an honor and also an opportunity for us to work with films in post-production stage from a different territory, every year. A jury of international festival directors and curators grant Kaiju Cinema Keyart Prize to Portugal documentary ‘Viveiro’, about the Arcozelo football field being battered by the North wind, by Pedro Filipe Marques. We’re present where films are presented to an audience of sales agents, buyers, programmers and representatives from post-production support funds, with a view to aiding their completion and enhancing both their sales prospects and international festival runs.
We recognize the importance of collaboration and community-building in this digital era. We foster connections between filmmakers, creating spaces for them to share experiences, knowledge, and resources. Together, we form a supportive network that celebrates the diversity of independent voices and strengthens the independent filmmaking community as a whole.
Partnering Locarno’s Work in Progress First Look section has been an honor and also an opportunity for us to work with films in post-production stage from a different territory, every year. A jury of international festival directors and curators grant Kaiju Cinema Keyart Prize to German drama ‘Elaha’, who believes she must restore her supposed innocence before she weds, by Milena Aboyan. We’re present where films are presented to an audience of sales agents, buyers, programmers and representatives from post-production support funds, with a view to aiding their completion and enhancing both their sales prospects and international festival runs.
We pride ourselves on working closely with filmmakers to understand their stories deeply, and translating that understanding into visual experiences that resonate with audiences. We sponsor film festivals worldwide, united by a common goal: to make a difference in the lives of independent filmmakers and contribute to the growth and success of their films.
Our partnership with Panama International Film Festival and Foundation is a testament to our shared commitment to nurturing and promoting the cinematic arts, as well as our dedication to fostering cultural exchange and appreciation within the Central American and Caribbean film community. We had the honor of not only work in creating the captivating branding identity that encapsulates the spirit of the festival but also participating in a Sound Design and Production Talks and Panel. At Kaiju Cinema, we continue to inspire and uplift the region’s vibrant cinematic landscape, showcasing its invaluable contributions to the global film industry.
Open to first or second feature film projects in fiction, documentary, and narrative hybridizations from Latin America, Territorio LABEX promotes production and also connects participants and their works with different professionals in the audiovisual industry. ‘Los Ojos Llorosos’ (‘Misty Eyes’), an independent drama about a young journalist with AIDS, by Cristián Darío Pellegrini, won Kaiju Cinema Keyart Prize for projects in the post-production competition category. We’re proud of partnering with film labs like LABEX to showcase the independent audiovisual sector and cooperate in the construction of audiovisual cultural heritage.

What filmmakers say about Kaiju Cinema Diffusion

The human connection with the entire Kaiju team allowed us to express ourselves with absolute comfort in order to give birth to the promotional materials that accompanied the film from its premiere at the Cannes Film Festival.

Valeria Pivato, co-director ‘La Novia Del Desierto’

I met Max during his first Kaiju, where his personal imprint stood out among the competition. I have also been following Flor’s consistently rising international career for years, and her sophisticated drive has added value to the sales process of several of my films. This synthesis in a new Kaiju seems spectacular and complementary to me.

Pablo Ingercher, Producer ‘Los Adoptantes’ and ‘Dóberman’ (Oh My Gomez! Films)

Get in Touch With Us

While this collage offers a taste of our capabilities, we invite you to contact us for a more extensive showcase of our work and to discuss how we can collaborate and make a difference together.